XVIII. The Symbolist Code

⎈ Eyes Wide Shut ⎈ Dark Kabbalah ⎈ Truth in Fiction ⎈ NAZI, NASA, Disney

[BACK TO CHAPTER XVII]

“Symbolism is the language of the Mysteries. By symbols men have ever sought to communicate to each other those thoughts which transcend the limitations of language. We are the gods of the atoms that make up ourselves but we are also the atoms of the gods that make up the universe.”

Manly P. Hall

Those who see, those who see when they are shown, those who do not see.”

– Leonardo da Vinci

Eyes Wide Shut

We find the most powerful individuals in the world congregating at World Government Summits, G7 Conferences, Bilderberg meetings, the world’s largest economic centers and also shady groves – beneath the umbrella of evergreen skyscrapers, always protecting them from any peeking eyes in the skies. We find that this extremely concentrated elite are actually all part of a singular cult – a Cabal. That Cabal worships something that is known by many names, all of which mean the same thing. That Cabal is merely the present incarnation of a tradition that has worked to prevent our attainment of self knowledge since the so-called dawn of our history.

This lineage of ‘gods’, we postulate, was once noble in its Order of the Quest, yet through the ages, those who conspired for complete control eventually began to take the rei[g]ns. A once unified race became divided in their purposes. Some sought to enlighten mankind and share great wisdom with humanity, while others schemed ways of making the disclosure of wisdom impossible. We see that a wickedness has always existed among men and many are too weak to resist it. If they want to be rich, famous and powerful, they will eventually reach a barrier along the path. There is a line drawn in the sand and there is but one way to cross it. There is an invisible hand that drew the line, and it alone claims the authority to decide if you are worthy of entrance. None may enter into the highest of mysteries with blood on their hands. All karmic debts must be paid.

We see the early ages of this elite death cult in:

• New Kingdom Egypt long after the great catastrophe and after the Golden Age was long forgotten. The children of the gods, often with long skulls, ruled Egypt as Pharaohs. They were openly revered in those days. Akhenaten was likely one of the last of the Gods in pure form, and teaching the pure religion during the Amarna era.
• The gods evolved. Their unique genes weakened. Their skulls largely normalized.
• Egypt became split as some became followers of Ba’al, while others followed Yahweh and Moses. Jehovah and Ba’al have apparently always been ‘opposed’ to each other.
• Jesus Christ arrives and tells the world that the Kingdom of heaven is within. His crucifixion is the most well known Cabal-assassination in history.
• The Cabal takes his message, twists it into a censored doctrine and establishes a new home from which to rule the world. The true wisdom of Alexandria, they take safely to the Vatican archives. They torch what remains of the Alexandrian library and move to Vatican City.
• They establish bloodline rule as status quo for all the nations of Europe.
• Finally, they colonize America and begin setting up their altar to Moloch and Ba’al in the Nation’s Capitol and in California.
• As time goes on they cement their hold on America and Europe by creating the global banking system – a trick they learned from the Templar age and now orchestrated within the close ties of top Freemasonry and the Illuminati (aka, the royal families). They print their agenda directly onto the money they produce in bold symbols.
• They engineer world wars to bring about fear, helplessness and psychological trauma. With each war they build a stronger and stronger centralized government. (League of Nations, United Nations, NAFTA, New World Order, etc.)
• They utilize occult powers and practice black magic of the darkest kind.
• They perform rituals and speak in symbolic languages within the plain sight of all the world. In recent years, these symbolic codes are finally being understood by more and more individuals every day.

Their overt symbolism will be their own downfall. Once the code is cracked, history will never appear the same again, to anyone. Manly Hall so aptly noted, “When the human race learns to read the language of symbolism, a great veil will fall from the eyes of men.”

This veiled language is our next investigation. We have seen a few grand displays, yet their power is more plainly seen within the myriads of tiny clues left in front of us, anywhere we look. Every hidden corner of our culture is flooded with imagery that speaks only to the initiated few. There are riddles woven directly into our cultural fabric. These signals will influence you on a subconscious level, often in negative ways. Yet when you SEE them consciously, they lose their power over you. In this chapter, I aim to open a new set of eyes within you, so that you can discover the full language for yourself and ‘read’ it in all your favorite films, books, music and art. You will begin to see everything much clearer.

We must understand that Hollywood itself is the very source and center of this hidden epidemic. After learning a great deal about mind control, the MK Ultra project essentially moved to LA. It is only natural when we think about it. The CIA had already experienced the power of controlling the news media and they had seen the influence of movies and music. It only makes sense that if they could control the minds of the nations celebrities, this would ensure that they could control the minds of those who idolize such celebrities. They choose who goes viral. You don’t get front page publicity without their consent. If they do get the superstar treatment, they are most likely compromised by the cult of Hollywood – indentured through blackmail.

Those who achieve greatness by their own merit, or make a discovery, or gains the love and respect of society for any other reason, against the wishes of the Cabal, will be tagged. Every word they say will be monitored. The NSA and CIA which watch their every move. If a natural leader should arise and preach love or peace, they are always silenced from JFK to Gandhi, to Martin Luther King, to Bob Marley and all the way back to Jesus. The stars you see on TV and in the magazines today are not famous because they are the most talented. Nearly every one of our celebrities are entrapped in a system they can’t escape. Many are in fact, willingly serving this devil, while others struggle for release.

I realize it is difficult to accept that the world is run by a death cult. On the other hand, maybe you’ve known this for years and have seen ‘with eyes open’ for as long. The bottom line is, once you learn to see, you see it everywhere. It is as though you have received a pair of magic glasses, like the ones featured in the film They Live, and speaking of films, this one was for the most part, a documentary. In the movie, a man discovers glasses that allow him to see through the illusions that surround him. He comes to see that there is a race mixed among us that disguise themselves as us. They operate in the shadows and underground. In broad principle, at least, it is correct. This is one of the movie industry’s most powerful leaks. They really hit the nail on the head. It is rare that films are able to be produced that expose the agenda so plainly, but among them, They Live is near unparalleled. In fact, such glasses actually were created. Looking through them, one could visually distinguish between this ‘other race’ and humans. The glasses used the chemical known as Cyanine. Because of it’s unique characteristics, it is one of the most highly controlled substances on earth. When suspended between two plates of glass, or lenses, one could look through the solution to see auras, or to see through certain ‘human costumes’.

It is rare because Hollywood, it’s film, television and music industries, are all cancerously infected with this sickness. The titans of these industries have emulated the illusion of choice, by owning all the production companies and pretending they are separate. They have built an infrastructure in which no one can become a star without selling their soul, or at the least, being sexually abused. If a natural talent takes off on their own; if they exhibit influence, the Eye of the Pyramid will make itself known. They will be converted, slandered, or silenced. The conspiracy runs far deeper than we realize when it comes to Hollywood.

I believe the logic of it is simple enough, as we have seen this pattern. A record deal or casting contract is the same thing as a loan or a political promise – it is a debt. From us blue collars, it is primarily money and time that they steal. From celebrities, the loved ones of society, the devil asks a great deal more.

How do you get a celebrity to deliver a satanic message to the world? First of all, you say nothing of your intentions. You simply offer them everything they’ve ever dreamed of up front. All the fame, every camera, every front cover, every top ten hit is openly handed to them along with more money than they’ve ever seen – but only when they are ready to be offered this option. The only catch – they must sign in blood. They don’t believe in the Devil anyway, so they DO sign in blood, and only later do they realize what this means. They sign a shimmering linen contract, a solemn oath, in blood.

They take the bait and skyrocket up the charts. Their first three singles were hits. Then the record company asks them to hold a can of Coca Cola. Then they are asked to do it all in a thong. Then they are asked to wear antlers, in front a pentagram, with Baphomet, naked. They are pulled deeper and deeper into places they never wanted to go, little by little. They become more and more involved at every level, and gradually lose control. Many are actually crying and screaming at the top of their lungs to the world, but all in the occult language. They are begging for us know the truth – that they are silenced, controlled, abused and manipulated. There is proof for those with eyes to see.

Perhaps we may start with the most obvious – the Eye and Pyramid. The symbolism of the eye and pyramid is found throughout every facet of our culture from magazines, to corporate logos, billboards and so on. Let us cut to the chase and identify this emblem fully where it is most densely presented – Pop Music.

To be honest, the best way to wrap your head around this is to actually just watch the most popular music videos of the day after learning these dead giveaways. Some artists go much farther than others. Here is a brief list you can start with; P. Diddy, Kanye West, Beyonce, Lady Gaga Rihanna, Justin Beiber, Taylor Swift, Katy Perry, Brittney Spears, Lil Wayne, Jay Z, Madonna, Miley Cyrus. This list could run for pages and I will not take you all the way back to Robert Johnson, or Mozart for that matter. Let us just note how it looks today. It is quite simple in fact, just cover one eye to show your loyalty. You will find that everyone in pop ‘covers the eye’ to leave one remaining – the All Seeing Eye. (By pop, I do not just mean hot dance jams, but any music which is popular within all genres.)

• They will constantly cover one eye with their hand, hair, or a prop.
• If they want to be more blatant, they will peek their eye through two fingers opened into a triangle, showing the pyramid.
• To be more open still, they will ‘throw up the six’ – give the ‘ok’ hand signal, in which the fingers mimic the numbers 666 – a single circle with three upper stems. Even the gesture in everyday life relays that ‘it’s all good’. Everything is okay. Stop worrying.
• Sometimes, if they are really feeling it, they will throw up the six over their eye – or the extreme – ‘666 fingers’ over both eyes – what I call ‘Moloch Eyes’.
• Also we will see makeup on the eyes in the style of the Eye of Horus.
• Triangles will be used everywhere. They will make triangles with their hands, dance within triangles, wear triangular earrings and rings, emblems, hats, etc. The triangle is the representation of their favorite symbol, the pyramid of providence, and they put it everywhere they possibly can. Many times they show themselves within the Illuminati ‘prison’ – a triangular room, often with a central window or ‘eye’ of some sort.
• You will often notice black and white color schemes with red focal points. This mimics the floors of every Masonic lodge in the world and the total color scheme is one used for control. From Hitler to the Empire Strikes Back, black, white and red is the palette of domination and fascist control. Every color has its own significance, but lets stick to the basics. Black – Darkness. White – Light. Red – Devil/temptation/passion.
• They love to use the two pillars of Solomon’s Temple and of course, the masonic square and compass.
• There are often flames everywhere.
• Many times, they will insert nonsensical strings of sounds that are not even words, but sound more like incantations. Think Lady Gaga’s, “Ra! Ra! A-a-ah. Roma! Roma! Ma!” Ra is obviously the Egyptian Solar Deity and Roma was the name of the Roman State personified as a maternal goddess. This deity was worshipped alongside Caesar by the Ba’al cults of Pergamum and other ancient lands.
• Many artists reference hearing voices in their heads, being possessed in some sense, or otherwise not having full control of themselves.
• If we see swimming pools or bathtubs full of money, such that it is treated like water, or if it is ‘made to rain’ on someone, or if we hear references to Rain Man or Umb-a-rellas, we are dealing with the command to seek money and consume.
• Women are generally practically naked to show their lack of privacy. Also, if a woman is singing lines that empower women in one moment and referencing their helpless dependency on men the next, they may be Illuminati. Conversely, if men rap about abusing and murdering women, the same.
• If the overpowering message of the video is to “just dance” or give up and party, it may fit the bill.
• Direct references to Satan are also dead giveaways, as well as christian crosses galore, often upside down and poised in profane settings.

Start watching for these signs and you will begin to pick up the rest of the language. You will notice that when you see one of these signs, you see them all. Someone may accidentally give one, but when we are dealing with a compromised artist, their work will be saturated. At one time, this code was heavily veiled, but today there is practically no veil at all. For some time now, they have not been afraid of being discovered. As we’ve seen, they want everyone in the world to know what they’re doing, but they don’t want anyone to talk about it. They want us as individuals, not as the multitude. They want you to feel as though you will be immediately ostracized by society if you even remotely consider discussing such a thought.

Lady Gaga, over the past decade, has shown herself to be amongst the most boldly branded, though as of 2018, it seems she may be trying to reconcile. In her very first video, she is presented as the new David Bowie, wearing his characteristic lightning bolt on one eye and her hand on the other, as seen in the center of this collage.

David Bowie, was of course, one of the most prolific, talented and influential stars in history, but we can rest assured that he was not in this club, as his music always promoted love and unity rather than ignorance and fear. The Beatles are also strongly vindicated, in my own mind, for the same reason. At least by the end, John was fearlessly preaching love. Yes, there are photographs of them ‘flying the signs’ in the Yellow Submarine era, but I will not even begin to get into the Beatles here. You will find their secrets on your own I imagine.

David Bowie however, does not have many rumors attached to his legacy that reflect any alignment with evil. One of the only close calls of his life came when he bought a house in LA. On the property was a pool house and Bowie claims to have seen the Devil emerge from the waters. Around this time he was avidly researching white magic and occult protection. He was noted reading Dion Fortune’s Psychic Self Defense. Fortune, herself describes the book as a “safeguard for protecting yourself against paranormal malevolence.” He felt he was constantly being threatened by these forces and this eventually lead to an exorcism performed by his friend, “white witch” Walli Elmlark. All this is described in Backstage Passes: Life on the Wild Side With Bowie, by his ex-wife Angela Bowie who says, “Satan lived in it [the pool]. With his own eyes, David said, he’d seen HIM rising up out of the water one night.” Speaking of the exorcism, she writes, “At a certain point in the ritual, the pool began to bubble. It bubbled vigorously (perhaps “thrashed” is a better term) in a manner inconsistent with any explanation involving air filters or the like. […] On the bottom of the pool was a large shadow, or stain, which had not been there before the ritual began. It was in the shape of a beast of the underworld; it reminded me of those twisted, tormented gargoyles screaming silently from the spires of medieval cathedrals. It was ugly, shocking, malevolent; it frightened me.”

David sold the house, as the exorcism had failed to remove the ‘stain’. He shows us that he was always aware of the predatory industry and the demons within it. He took steps to protect himself and when he met the Devil, he ran from Him. He references Crowley, and certainly came to study Crowley’s work for a time, but clearly seemed to understand that it led to dark places. He also references the Golden Dawn, a Hermetic Order that banished Crowley from their ranks. So thankfully, we can rest assured that David Bowie is in fact amongst the very narrow margin who became famous by the merit of his own genius and had the foresight to protect himself from these entities, sustaining his message of freedom and love right down until has last day.

Bowie’s final album, Black Star, is so densely filled with the language of symbols that it would best be dealt with in a book all it’s own. He describes the Black Star of the vedas, which our sun constantly orbits, and which causes our precessional cycle of dark and light ages. He shows a book with the black star on the cover, ‘orbiting’ around himself in the music video. He shows one of the most blatant Illuminati prisons I’ve ever seen (triangular rooms showing the eye and pyramid). The ‘solitary candle at the center of it all’ is also the eye in the pyramid.

Yet his iconic lightning bolt is stolen by Lady Gaga in her premiere hit, as she aims to draw in all those outsiders, freaks and star children that loved Bowie so. He was the voice of the artists and dreamers – those who march to their own drum – the creatives of the world. Gaga boldly stated that she was the new voice of the same movement and emphasized this by being quite weird indeed. Once she had gained the public eye by somehow being even more bizarre and naked then her predecessors, the Satanic emblems were pouring out. Watch her videos in sequence and you will see a very good example of the classic pattern.

I suggest her as an example because her career demonstrates many of the classic signs of this process. Even her own stage name, Gaga, was taken for it’s meaning as ‘over the top’ glamour and superfluous ornamentation. She chose the name as a reference to Queen’s 1984 hit, Radio Ga Ga – in which Roger Taylor (Queen’s Drummer wrote the song) is plainly describing that everything on the radio was purely soulless garbage. Gaga accepted this as her brand. The Radio Ga Ga music video’s use of Fritz Lang’s 1927 classic film Metropolis was used to further demonstrate that this song is about indoctrination and mind-control. The film graphically illustrates Moloch worship and human sacrifice. Radio Ga Ga was written in protest of the slowly coagulating megastructure that was coming to dominate the radio waves and favor the more mindless music, yet back then the corporate game of monopoly had only just begun in terms of radio networks. Indeed, to this very day, studies have shown a dramatic decrease in the basic reading level demonstrated in popular music over the years. In other words, in recent years, pop lyrics have represented a fifth grade, then fourth grade, then third grade reading level. Mumble rapping is not an accident. They want to encourage stupidity and ignorance.

Lady Gaga begins her career with Just Dance. This is her first video and in the very first shot of her face, her hand covers one eye and Bowie’s, (also Harry Potter’s) zig zag is painted over the other. Somehow, though this is her first hit, she is already portrayed as a filthy rich and famous. In this video she shows the glamor of drug-crazed Hollywood party life and manages to cover her eyes, frame them in finger triangles and give the 666 hand signal an astounding number of times.

Her next video, Beautiful, Dirty, Rich, opens with the words “Dirty. Dirty. Beautiful. Dirty. Rich” as she is seen lighting money on fire. She is in a luxurious mansion. Everyone wears black clothes and black masks over their eyes. She wears a bright red dress and she lies on top of a massive table filled with money. All their movements speak of Masonic ceremony and Egyptian poses.

Next, in Poker Face, she starts speaking in language hinting that she is forming a persona – a mask – a poker face. She’s saying that people are not seeing what is beneath this mask. She also begins showing 6’s on headphones. As we get to Love Game, she sings, “Let’s play a love game, play a love game. Do you want love or you want fame? Are you in the Game?” She suggests, “Don’t think much.”

In Papparazi, after showing herself murdered, she falls into a black and white spiral, wearing a necklace showing a skull within a heart. Her symbols are getting progressively stranger and she is now referencing hypnotism. She is presenting herself more and more as a broken soul, yet she continues to show that she loves it. In the end, she poison’s her ‘boyfriend’, who is wearing an eye patch on one eye. We also see her wear a hairpiece reminiscent of Ba’al.

She confirms in her next video, Bad Romance, that she is indeed aware that she is involved in something that is not good, yet she is still addicted to it. It is quite clear that she is “caught in a bad romance” with the devil. More so than before, she is showing several distinct personalities within herself. One is wearing barely any makeup and seems concerned for the direction her life is going, yet her red dress version is still smiling with ‘pyramid fingers’ over her eyes. In the final shot, she is shown as an old woman in lingerie with fireworks streaming from her breasts. She lies alone in charred bed next to a rotting corpse. Above her are two solid white, taxidermied animal heads both with large horns (perhaps Gazelles). This scene symbolizes what she expects will be the end result of her ‘romance’.

Teeth, her next video is pretty obviously about her sex life with Satan. She begins bringing in heavy Christian themes. She depicts herself as a topless man, handcuffed to a chair in a sex dungeon, who has fangs, is wearing a black rosary, is pierced in the side like Jesus, is surrounded by devotional candles and being doused with Holy Water. She sings “Got no salvation. Got no religion. My religion is you. […] I just need a little guidance. Tell me something that will save me. […]Tell me something that’ll change me. I’m going to love you with my hands tied. Show me your teeth.”

In Telephone she ends up again in black and white stripes, this time on a triangular shirt. At this point several videos have repeated the use of uniforms and particularly hats that resemble Nazis. When Gaga is released from prison, she is picked up by none other than Beyonce. Beyonce is extremely deeply rooted into the Cabal and has long been one of the queens of the industry. As soon as they meet up, they poison someone together. Again they are unapologetically showing themselves committing murder, fleeing from a multiple homicide, and getting away with it. They are dressed in black and white witches gowns and giving Luciferian signals every other shot.

Alejandro begins with numerous triangles including an actual pyramid and star of David being carried in a silhouetted procession. We then see another steampunk/Nazi type Gaga with another allusion to an enlarged skull. Next is one of her boldest symbols yet. We see a blood red heart being carried on a blue pillow, perhaps showing that this secret is carried by Blue Bloods. It is bound in barbed wire and has three nails stabbed into it. This is the core imagery of the Rosicrucians – the three nails that ‘pin the Rose to the Cross.’ This represents ties to the flesh and desire. The three nails must be removed in order to ascend and gain access to the Invisible Lodge of the Brotherhood of Light. At the beginning of this video, she mourns the death of her lost love, who appears to be a Nazi officer, but from there it just degrades into what can only be called satanic porn. She wears the colors of the Templars, though her crosses are all upside down. She swallows a black rosary with cross. In the end we see her lying in bed connected to strings like a marionette.

In Born this Way, she again enters through many concentric triangles. She appears with an enormous, unmistakable elongated skull. She sits on crystal throne, has a central eye on her chin, pyramid earrings and even has a second face on the back side of her head. This is again showing a separate personality or possession. She is showing us a relationship between a cone-head race and some other entity attached to this race. She then spends the rest of the video explaining that she “WAS BORN THIS WAY!”

The introductory monologue, however, really lays it all out there. In a play on The Twilight Zone, we hear, “This is the manifesto of Mother Monster. On GOAT, a Government Owned Alien Territory in space, [which is shaped like a goat’s head and also ovaries] a birth of magnificent and magical proportions took place, but the birth was not finite – it was infinite. As the wombs numbered and the mitosis of the future began, it was perceived that this infamous moment in life is not temporal. It is eternal. And thus began the beginning of the new race. A race within the race of humanity. A race which bears no prejudice, no judgement, but boundless freedom. But on the same day, as the eternal Mother hovered in the multiverse, another, more terrifying birth took place. The birth of Evil.

[She is shown as the cosmic figure, birthing a demon. Triangles are everywhere as well as hints of the pineal gland/brain imagery, the third eye and All Seeing Eye.]

And as she herself split into two, rotating in agony between two ultimate forces, the pendulum of choice began its dance. It seems easy, you imagine to gravitate instantly and unwaveringly towards good, but she wondered – How can I protect something so perfect, without Evil? It doesn’t matter if you love Him, or capital H-I-M. Just put your paws up, cause you were born this way, baby.”

The song ends with, “Same DNA, but born this way. Same DNA, but born this way.” We see the final shot of her inside a triangle again, with a single tear drop. She has a skull painted onto her face and looks a lot like the ‘They’ in They Live. Perhaps she is admitting to being born into this bloodline but not being happy about it. She is emphasizing that it’s not all her fault necessarily, yet at the same time boasting that she is elite.

When we get to Judas, I don’t think I need to say much at all. It is her love song to the original betrayer of Christ. She sings: “In the most Biblical sense, I am beyond repentance. Fame hooker, prostitute wench, vomits her mind. But in the cultural sense, I just speak in future tense. Judas, kiss me if offenced, or wear an ear condom next time. I wanna love you, but something’s pulling me away from you. Jesus is my virtue. Judas is the demon I cling to; I cling to! I’m just a Holy Fool. Oh baby he’s so cruel, but I’m still in love with Judas, baby.”

She then made a comical song with Justin Timberlake glorifying threesomes. Then some believe she started to turn around with You and I, where she is seen returning to a classic crossroads, perhaps to negotiate terms with the Devil. She is reminiscing about her career a bit and still portraying herself as a prisoner, enduring abuse and experimentation in a lab. It does not really appear that she is ‘repenting’ however, based on the lyrics. It sounds more like she misses Satan and wants him back. Her next hits, Marry the Night, Applause and G.U.Y. confirm that she is still broken and controlled.

Then in 2015, she came out with Til It Happens To You – a powerful video aimed at raising awareness of rape and sexual abuse on college campuses. Overwhelmingly, we see a shift of attitude. This is like no other video she has ever released, particularly in that she does not even appear in it. This would appear to be her turnaround point.

Soon after, she released Perfect Illusion and Million Reasons. Both seem to return to the crossroads in a sense – but this time she seems to really want out. She is wearing all pink, halfway between red and white and she is not giving off any signals with her hands or eyes anymore. She calls this bad romance a perfect illusion and gives a million reasons to leave it. Yet still, she says, she just needs one good reason to stay. We see that she is fighting harder, but not out of the woods.

Finally, in 2018, she starred in the film A Star is Born. In this film she is shown without her makeup and the score contains songs closer to the country genre. Many of these songs are brilliant and moving but the most famous piece by far was Shallow. The lyrics, on the surface, seem to clearly indicate that she is repentant and/or attempting to break out of her role.

Shallow, By Lady Gaga, Bradley Cooper

Bradley Cooper: “Tell me something, girl. Are you happy in this modern world, or do you need more? Is there something else you’re searching for? I’m falling. In all the good times I find myself longing for change and in the bad times I fear myself.”

Lady Gaga: “Tell me something, boy. Aren’t you tired trying to fill that void, or do you need more? Ain’t it hard keeping it so hardcore? I’m falling. In all the good times I find myself longing for change and in the bad times I fear myself.

I’m off the deep end, watch as I dive in. I’ll never meet the ground. [Covers both eyes in video]

Crash through the surface, where they can’t hurt us. We’re far from the shallow now. In the shallow, shallow. In the shallow, shallow. In the shallow, shallow. We’re far from the shallow now.

Oh, oh, oh, oh. Whoah!

I’m off the deep end, watch as I dive in. I’ll never meet the ground. Crash through the surface, where they can’t hurt us. We’re far from the shallow now. In the shallow, shallow. In the shallow, shallow. In the shallow, shallow. We’re far from the shallow now.”

Songwriters: Andrew Wyatt / Anthony Rossomando / Mark Ronson / Stefani Germanotta

Shallow lyrics © Sony/ATV Music Publishing LLC, Downtown Music Publishing, Universal Music Publishing Group, Concord Music Publishing LLC

She is speaking of shallowness and depth, yet when I first heard this song, I heard the the word shallow as shadow, and thus the phrase “far from the shadow now” hit me as a deep metaphor relating to this struggle. In fact, I wondered if this slight difference may have been intentional, yet either way, she was obviously hinting that she is trying to turn around and this merits the back-masking test. I soon discovered that there was much more to the song.

We’ve all heard that certain records played backwards speak secret, subliminal messages, usually satanic in nature. This is because it is true. Back masking is a technique that was largely first popularized by the Beatles and Led Zeppelin, but they were not the first and certainly not the last. When songs clearly give off occult symbolism, there is a pretty good chance you can find at least a few phrases snuck in backwards, or back masked, but sometimes artists are able to create entire backwards songs. It only took me minutes to find a reversed edition of Shallow, and though no one had found any messages in the comments, I listened through once and heard so many keywords that I knew instantly this entire song was coded. If you would like to test yourself, go and listen to the song backwards and see if you think anything is actually being said before you read the following (and after). This is what I heard.

Shallow (Reverse)

Oh, I’m Lord, Lucifer! Far from

whoever I search [assert?] to be.

Oh, I love Lucifer, sweet!

Oh what am I? Still, it hurts to me.

My Lord, I asked to learn about you.

Tryin’ to make it out! Lucifer! Fer! Fer!

Aaaah, Im gonna LEAVE the GREAT EYE!

I have eyes wide shut now! Pull out me! […]

Aaaah…

Oh, I am Lord Lucifer! Far from [All her ashes in me?]

Oh, Lord, Lucifer’s in me! Oh, Lord, Lucifer’s in me!

Oooh, I want Lucifer to fall though, so that I might get out.

Soul lost, searching!

Oooh, I’m gonna leave the Great Lie! [Applause]

Baby, eyes transfixed on where [we move forward!]

[But summary, that’s when I stabbed them and I…?] [gasp]

She Ashteroth.

He offers them half as masks. Take the money!

He love me, and he woke me up forcing […?].

I’ll need to use door.

He will never influence the way I speak now. [Applause]

The old me was a waste.

[Bradley Cooper]:

This I leave as my eyes open in it –

She is tough. Hang on lover,

as I’m half as mad as you, Stefani!

They love my love [messages end with my sincere ?]

Oooh, Be no Evil!

When I’m dead I’m sending the [evil to hell?]

And this must seem weird.

Aleister Crowley is considered to be the original source of the back-masking craze. In Magick in Theory and Practice he writes:“First Method. Let the Exempt Adept first train himself to think backwards by external means, as set forth here following. (“a”) Let him learn to write backwards, with either hand. (“b”) Let him learn to walk backwards. (“c”) Let him constantly watch, if convenient, cinematograph films, and listen to phonograph records, reversed, and let him so accustom himself to these that they appear natural, and appreciable as a whole. (“d”) Let him practice speaking backwards; thus for “I am He” let him say, ‘Eh ma I’.”

Here are a handful of other back masked messages that the internet community has claimed to have heard, to give you the idea, but this is moving into fields of speculation and I will not try to convince the reader, but merely pose the concept. Of course, it is essentially a matter of your opinion.

Stairway to Heaven; ”Here’s to my sweet Satan […] He’ll give you 666.”

Dora the Explorer! (Opening Theme); “Hail Satan!

Gwen Stefani, Its my life; “I love Satan.” –

Hannah Montana, (Opening Theme); “Love for sale! […] It’s finally reached this world! Love for sale! You think we’re hot, so get smart!”

Hillary Duff, So Yesterday; “This land! Hail this land! Hail this Nazi land!”

Jonas Brothers, Kids of the future; “I speak for Satan, Satan, Satan.”

Rihanna, Russian Roulette; “Satan is the best”

Danger Mouse [Jay-Z and Beatles Remix], Lucifer 9; “Murder. Murder. Jesus. 666”

Britney Spears, Hit Me Baby One More Time; “Sleep with me! I’m not too young, you fool.”

Madonna, Dress you up; “I love you Satan.”

Lady Gaga, So Happy I Could Die; “This is Satan”

The artists they choose are naturally talented, but more importantly, they are ready to open themselves up completely and emotionally grab their fans. The trick is to get these souls of strong passion to preach a message of hate and death. They must be passionate, but still morally malleable. This is most easily done by using individuals who have been abused, sexually, psychologically, physically and emotionally. This causes dissociative states, split personalities and often welcomes spirit possession.

This is why they have built a vast network of cult members ready to sell their children. The MK Ultra can start at a very young age and much of the time, we find these artists incestuously abused by their own parents. There is a reason for this – in black magic, very often your own blood must be given if you are asking for something, but this extends to blood from your family members. As we’ve seen, Ba’al prefers the firstborn.

It is quite moving to recognize when these artists are calling out for help. They lose control within a couple years and are silenced, yet many have used this same symbolic language to at least inform their awakened fanbase that they themselves have woken up, if they cannot proclaim it aloud. There are many who have attempted to expose this plot from the inside by telling the truth through symbols.

I have witnessed this language for many years, not only in music videos but films, advertising, awards ceremonies, Superbowl shows and more. Yet when I finally sat down to research it fully, I was struck to tears by what I found. I am not one who has ever been much interested in pop culture at all, preferring more traditional music from around the world, and the names of these celebrities to me have always been synonymous with shallowness, yet I was overcome by the deep sympathy that the situation demanded.

Katy Perry was one such name. I watched her videos and one stood out to me. She makes a clear example of many of these features. First of all, she stated directly in an interview, “I sold my soul to the Devil.” For further evidence watch the music video, Extraterrestrial. Then test yourself and see how many symbols you can decode in her music video, Wide Awake.

Eminem’s Stay Wide Awake was another masterpiece of rebellion against the ‘Great Eye’. This video has some very powerful imagery, and no discussion of the Illuminati in music can avoid his mention. He went way out there, or in there, very deep. He was addicted to sleeping pills, hearing voices in his head and so on. His charm however, I believe stems from the fact that he calls himself out before anyone else can. He describes early on in his career the sickness of the industry. He describes what it’s like to be the white rapper idolized by a deluded public. He wrote some very sick songs, but in recent years he speaks as plainly as he ever did about what is actually happening in his mind and he doesn’t try too hard to mask the fact that he is in constant dialogue with the devil. In many of his songs, he openly converses with satan, as portrayed by a deep, demonic voice. Many artists veil their ‘relationship’ in lyrics regarding a lover or a friend, yet Eminem has made known exactly who the voice in his head is. He has done this in many songs including Stay Wide Awake. Here are a few excerpts to demonstrate.

[Opening shot: The White House in cold blue lighting, then Eminem walking into a church]

“Follow me, follow me [Showing forest]

Come with me to the dark side of the force [shown between two pillars]

No man would boldly go to this place

The devil only knows of this world so dark

And oh so cold, it’s oh so cold, oh so cold oh! [showing mixing board, suggesting that this dark, cold world relates to the industry]

[CHORUS]: [In the chorus he is rapping in dark abandoned buildings with stark lighting pouring in. He is moving between light and shadow. Besides Marilyn Manson, who has the word WAR written across his body, he is mostly in solitude, showing the places he must go to be able to speak in safety. One room he is in has a triangular frame that is prominent in the shots – the ‘Illuminati prison’.]

Soon as my flow starts

I compose art like the ghost of Mozart [A freemason]

Even though they all say that they’re real

I know that most aren’t

Boy you think you’re clever don’t ya

Girl you think you’re so smart

Come with me to another side in a world so cold and so dark

Stay wide awake

A world so dark. A world so cold

A world where only some will go

But not return, when will they learn

Where do they go, God only knows Stay wide awake

VERSE: [Showing scene of Iraq War, Eminem standing on the burning remains of the World Trade Center…]

So dark and so cold my friends don’t know this other side of me

There’s a monster inside of me it’s quite ugly and it frightens me

But they can’t see what I can see there’s a vacancy in my tummy

It’s makin’ me play hide n’ seek like Jason I’m so hungry

[…]
Not your everyday Damien bath me in holy water

His 2018, The Ringer also has a few choice segments. It comes on an album called Kamikaze. On the cover we see ‘FU-2’ written on the tail of a plane; a reference to the U-2 bomber planes developed by Lockheed (likely reverse engineered from the Roswell craft) and used by the CIA for covert missions. He is boldly saying that he will say what he wants even if he must go down with the ship. The Ringer begins with the sound of a plane crash.

“I should eat a pill, probably I will

Old me kill the new me, watch him bleed to death

I breathe on the mirror, I don’t see my breath

Possibly I’m dead, I must be possessed

Like an evil spell, I’m E-V-I-L

[…]

‘Cause I feel like the beast of burden

That line in the sand, was it even worth it?

‘Cause the way I see people turnin’

Is makin’ it seem worthless

It’s startin’ to defeat the purpose

I’m watchin’ my fan base shrink to thirds

And I was just trying to do the right thing, but word

Has the court of public opinion reached a verdict

Or still yet to be determined?

‘Cause I’m determined to be me, critique the worship

But if I could go back I’d at least reword it

And say I empathize with the people this evil serpent

Sold the dream to, that he’s deserted

But I think it’s workin’

These verses are makin’ him a wee bit nervous

And he’s too scurred to answer me with words

‘Cause he knows that he will lyrically get murdered

But I know at least he’s heard it

‘Cause Agent Orange just sent the Secret Service

To meet in person

to see if I really think of hurtin him

or ask if i’m linked to terrorists

I said, only when it comes to ink and lyricists

But my beef is more media journalists”

Dark Kabbalah

Many artists describe alternate personalities or spirit possessions. Eminem, for example, which is already a pseudonym based on his initials (Marshal Mathers), also becomes ‘Slim Shady’. Beyonce references a separate personality named Sasha, who she channels during performances. “I guess I wouldn’t be very entertaining on stage, so Sasha comes out and she’s fearless. She can do things that I can not do when I’m in rehearsal. […] I remember, right before I performed, I raised my hands up and it was kind of the first time I felt something else come into me, and I knew that was going to be my coming out night.” Nicky Minaj also talks about her many personalities, including one called Roman. Lady Gaga, Brittney Spears and many others also show signs of spirit possession or multiple personality disorder. .

Prince was Khemetic (of Egyptian descent). He was branded as the Prince [of Darkness] until he renounced this title, to become the Artist formerly known as Prince. He took a stylized ankh as his sigil; the sign of life. He became a christian and began speaking out about many conspiracies. Before long, the Artist formerly known as Prince was sacrificed on Queen Elizabeth’s birthday, April 21, 2016.

Madonna, blasphemously taking the honorific title of the goddess as her stage name, wrote a song entitled Illuminati (with the help of Kanye West) seeking to sway the public opinion on the name. She tried to associate the Illuminati with enlightened, progressive thinkers like Da Vinci and Shakespeare in a Rolling Stone Magazine interview, saying:

“People are always using the word Illuminati but they’re always referencing it in an incorrect way. People often accuse me of being a member of the Illuminati and I think in today’s pop culture the Illuminati is perceived as a group of powerful, successful people who are working behind the scenes to control the universe. Not people with consciousness, not people who are enlightened. So people were accusing me of being a member of the Illuminati, and I kept going, wait—so first I had to figure out what that meant […] I know who the real Illuminati are, and I know where that word comes from. The real Illuminati were a group of scientists, artists, philosophers, writers, who came about in what is referred to as the Age of Enlightenment, after the Dark Ages, when there was no writing and no art and no creativity and no spirituality, and life was really at a standstill. And right after that, everything flourished. So we had people like Shakespeare and Leonardo Da Vinci and Michelangelo and Isaac Newton, and all these great minds and great thinkers, and they were called Illuminati […] It had nothing to do with money and power. Of course they were powerful, because they influenced people. But their goal was to inspire and enlighten. So when people refer to me as a member of the Illuminati, I always want to say thank you. Thank you for putting me in that category.”

Madonna often wears a red string on her wrist, representing protection from the ‘Evil Eye’. Many times we see this string worn, especially offscreen, by the Kabbalists. Madonna openly speaks about the Kabbalah. Men like Jimmy Iovine, Rick Rubin and Lyor Cohen are also Kabbalists and were responsible for recruiting the likes of Dr Dre, Snoop Dogg, P Diddy, Jay Z, Eminem, 50 Cent and many more. These artists sign binding contracts in exchange for wealth and fame. Then we watch as they fall into hellish nightmares and sometimes, begin calling out for help as they try to escape.

Many celebrities took an interest in the Kaballah including Guy Ritchie, Ashton Kutcher, Paris Hilton, Lindsay Lohan and Demi Moore. Madonna was among the most prominent advocates of the Kabbalah Centre, an organization attempting to advertise the ancient mystical tradition, not unlike Crowley, opening magical doors that are traditionally given to those who have first proven their merit. Certainly the Kabbalah should and will always be available to the world, but it is only really meant for those who find it. It is an entryway to potentially dangerous powers. There is a fine line between sharing enlightenment teachings and promoting what could be the magical equivalent of a DIY atomic bomb. Therefore, we must remember that in certain cases, knowledge is protected by initiation for the good of mankind. As Nikola Tesla wisely said, “It is hard to give unlimited power to limited minds.”

The codes and ciphers of the Kabbalah as well as the Rosicrucians and Hermetic Alchemists all intend to reach out subtly to those who will notice the riddle and pursue the answers. In fact, the Hebrew word sefer, as in the Sefer Yetzirah (Kabbalistic text) and Sephiroth (Tree of Life), means both sphere and cipher. The entire Kabbalah is a code that is only meant for those who see it – what is called steganography. The entire Hebrew language is a code in fact, and the english language as well. This code is called Gematria, from the Greek geometria (Geo-Earth/globe, metria-meter/measure, therefore, geometry or the measures of a globe/circle…). Every letter contains a numerical value as well as a unique mystical character which corresponds to the paths on the tree, to astrological signs, to elemental energies and also to the tarot. All of these things are, once again, representations of the NETERU – the Khemetic title for the principle forces of nature that work in the ‘World of Formation/Creation’.

Each of the letters also corresponds to the Star of David, or the hexagram. The hexagram is the foundation of sacred geometry, as it is found within the Seed of Life, Flower of Life, Sri Yantra, Metatron Cube, Merkaba and all the platonic solids. It shows the four alchemical symbols designated for each of the four elements and all these being balanced together imply the presence of the fifth element, Aether. It represents upward and downward causation and the union of male and female. It is the union of all opposing forces within this realm of duality and in the tradition of the Hermetic axiom, As Above, So Below, the wisdom offers paths in either direction.

The Kabbalah is not evil, but once you learn the art, you can choose to ascend the Tree of Life or to descend, even into the Qliphoth, or Kelipot. This is the inversion to the Sephiroth, mirrored on the fulcrum of Malkuth, the lowest sphere on the tree, which represents our physical realm. The Qliphoth is comprised of another 9 or 10 spheres (depending if you double Malkuth) that extend into the realm of the devils, of Ba’al and of all that which brings one deeper and deeper into Hell; more enmeshed in the web of the spider. As the Tree of Life describes the realms of energy, light, causation and formation, and Malkuth, the lowest sphere, represents the physical realm, then we understand that the ‘Tree of Death’, as the Qliphoth is also known, takes one into an even more dense realm. To worship these demons and attain otherworldly success is to bury one’s self deeper and deeper into the illusion of material and desire. One’s soul is running blindly into a cold, dark hole. It moves in a direction completely opposite of it’s ultimate path of evolution. It is a malfunction of nature so to speak – a willpower that has consciously chosen to deny Nature’s plan. It thinks it has outwitted Nature, yet Nature looks upon this soul and seems to lovingly call out saying, “I don’t know where you’re running to, but the only exit is this way…”

The Kabbalah Centre seemed to have a dark tint to it and this suspicion only grew when Yehuda Berg, the son of the founders of the organization, was charged with drugging and sexually assaulting a student. Yehuda and the center were sued for $177,500. A spokesperson from the Kabbalah Centre later commented, “Yehuda has not been involved with the Kabbalah Centre since he resigned in 2012. When Yehuda left the Centre, he made clear that he was doing so because his departure was in the best interests of the Centre and in the best interest of his own personal effort to change his life. The Centre respected Yehuda’s decision at that time, and we continue to wish him well.”

Do they never learn that they can turn around? At a certain point, an artist may realize that they are going down the wrong road, but they may fear to accept the situation, ultimately because subconsciously, they know that they are continuously digging themselves deeper. It is far easier to simply accept that they already made the deal, and might as well enjoy the fame. They will face the devil when life is over. So they descend like an oil drill, deeper and deeper into the crust. They worship the Illusion, and the Illusion pays their bills. By the time they understand what is happening, it is near impossible to escape.

Of course, this code goes back throughout the entire history of music and entertainment; to Mozart’s Magic Flute, or Paganini. The occulted language was used by painters, sculptors and architects of the Renaissance. It is worked directly into the very stones of the Sphinx and pyramids themselves! Yet even today, we find such ciphers in rap music.

Yet, never before in our history has the code been placed so blatantly before us. There is only so much one can say, but symbols themselves can speak so clearly. I will not even begin to mention the codes that will expose the full extent of the pedophilia and child trafficking from within the logos and imagery of agencies that are meant to protect children…

Such codes can be found throughout the globe, yet they have now been exposed, and thus are falling out of use. Even the UPC, or Universal Product Code, is always framed by three sixes on either end and in the middle. You will always find these two horizontal bars in those positions, each representing the number six. Nearly every product in the world is marked with the number of the beast.

Much of the symbolism is specifically Masonic and it is no accident that MTV Canada chose, for its headquarters, a Masonic Temple. Many would claim that MTV stands for Masonic Television. It is interesting to note that when they moved into the building, the signage marking it as a Masonic lodge had been removed. They repositioned the words MASONIC TEMPLE where they had once been, with the MTV logo directly above.

Truth in Fiction

One of my favorite films of all time is The Dark Crystal. The visionary genius of both Jim Henson and art director, Brian Froud, created a perfectly original story that was permeated with symbolism. The sequel series, The Dark Crystal: Age of Resistance, did not disappoint either. Both described the essential conundrum of the human race, represented by the Gelfling. A small number of extraterrestrial beings lands on their planet, Thra (an inversion of Earth). These advanced beings gain control of Thra and of it’s crystal energy, which alludes to Atlantis and to the elongated skull race. The Urskeks, as they are called, are divided amongst themselves between the cruel, greedy and gluttonous Skeksis and the peaceful, monk-like Mystics. The story conveys the idea of cyclical time and contains a prophecy of a ‘grand conjunction’, or a day when the three suns of Thra’s solar system align and restore balance and harmony to the planet. This is a thinly veiled metaphor for the precessional cycle and the Grand Conjunction represents the 2012 end date that we are still not quite through yet. It is the Spring Equinox of the Great Year and the crossing of the Galactic Plane.

At one point, we can see the Kabbalistic Tree of Life drawn within a book in an Alexandrian style library. We also find the sigil of Crowley’s Thelema, the unicursal hexagram, tiled into the floor of the Skeksi’s ‘Crystal Castle’. These are clear symbolic references, which, to the initiate, clearly announce that the Skeksi’s dark rituals are quite literally describing Crowley’s very real brand of magick. Crowley was the head of the Order of the Eastern Templars, or Ordo Templi Orientis, the initials of which represent the face of an owl (OTO). The initiation into this temple is known as the ‘Minerval Rite’, referencing the ‘Owl of Minerva’ or Athena. Even the Egyptian hieroglyphic spelling of the word Thelema (which Crowley defined as ‘Pure Will’) contains a glyph of an owl.

The Crystal Castle itself is an allusion to the pyramid and the all seeing eye. In the series, we see stones levitated and animated by sonic vibration. Triangles are everywhere, pointed up or down depending on context. The story centers on the cruelty of the Skeksis as they drain the living spirit of the innocent Gelfling, and I need not say how realistic this is.

One of the prominent symbols in the series shows a nine pointed shape with one triangle prominently set forward. In Part One we briefly noted Gurdjieff’s Enneagram, which is quite similar. Both may be related to vortex mathematics and a diagram that indicates vortex energy flow. Vortex energy, perhaps identical to VRIL, is the key to Tesla’s cryptic remarks about the numbers 3, 6 and 9. It is the Alpha and Omega; the beginning and the end. Gurdjieff references the Sarmounk Brotherhood as the source or at least inspiration for the Enneagram and this, he claimed, was an ancient society, perhaps reaching back to the time of Atlantis. Athanasius Kircher seems to hint at the shape on the frontispiece of his Arithmologia in 1665.

Another production from Henson and Froud also touched far closer to the truth than many of us may have known when we were children. In Labyrinth, David Bowie plays a Goblin King who can transform into an OWL. He abducts a baby and hides him behind a psychedelic labyrinth of false paths and traps. Yet in the end, Sarah remembers that all is an illusion and the Goblin King has no power over her.

The series Stranger Things holds nothing back in openly documenting MK Ultra experiments of the 1980’s. It shows the truth regarding the abductions and experimentations on children. The portal that is opened into another dimension hints at CERN technology as well as the Philadelphia Experiment, which ‘linked up’ with the MK Ultra labs in Montauk, Long Island. The lead character is a young girl abused in the lab, whose gender is often confused, like the alchemist’s androgene. She has superhuman, psychic powers and her name is Eleven, or EL – the Hebrew word for God of divinity).

NAZI, NASA, Disney

Not all the ‘children’s stories’ are meant for children. Many of the works of fiction we know and love are far more true than we realize. Science fiction writers like Arthur C. Clarke, Phillip K. Dick, H. G. Wells, George Lucas, Gene Roddenberry and Chris Carter were all tapped in to the deep state intelligence to some degree. Often times, these dark symbols are displayed in children’s programming, from Nickelodeon to Teletubbies to Dora the Explorer. The worst of them all though, is Disney.

Walt Disney was a member of De Molay International, which is essentially Masonic boy scouts. We may remember that De Molay was the last Grand Master of the Templar Order before the church declared them heretical. It is well known at this point, due to mass protests against Disney, that many of their animated films contained perverted subliminal messages. Though many of these occurred after the life of Walt Disney himself, the empire he built was never what it seemed. Even to this day, Disney World is an unsafe place for children. Stories of what goes on within the labyrinthian tunnel system below the park are disturbing. It is promoted as the ‘Magic Kingdom’ and magic is the predominant theme of the company. Walt even worked a 666 into his own logo design.

Curiously, Disney met with Werner von Braun, and ended up making three films about space exploration, including, Man in Space (1955). Werner von Braun, as we shall see in the following chapter, was perhaps the most prominent of all the Nazis that were captured by American forces and then employed within black operations. He was not only a Nazi, but was also tied to MK Ultra, the ‘MK’ meaning mind control, but spelled with the German K. This is because MK Ultra was merely the continuation of the Nazi mind control experiments…

Von Braun is also referenced in Back to the Future III. Emmit ‘Doc’ Brown mentions to Marty that his family immigrated from Germany in 1908 and changed their name from Von Braun to Brown during WWI. This association hints that time travel may have been a goal of the Nazi’s embedded into the top secret UFO projects. Certainly this is not the only secret hidden in the Back to the Future trilogy.

In Toy Story, we find a tribute to Buzz Aldrin, who claims to have carried his 33^rd Degree masonic handkerchief to the moon and back in honor of Freemasonry. In the same movie are references to Stanley Kubrick’s, The Shining (such as carpet patterns, ‘room 237’, etc) as well as his cooperative work with Arthur C. Clarke, 2001: A Space Odyssey. Tom Hanks, who played Woody, also starred in Apollo 13 in the same year and soon after produced an HBO miniseries called From Earth to the Moon. It may seem a stretch to associate NASA with the Nazis, Freemasons and Toy Story, but with more evidence in place, it may not be so. NASA even sent a Buzz Lightyear toy into a space in a rocket.

One of the ‘classic’ conspiracies still lingering is that Stanley Kubrick staged and filmed the US moon landing, and used The Shining to symbolically confess this. I have never seen the moon landing definitively proven as real or false, yet certainly there seem to be secrets on the subject. Carl Sagan was also involved as a consultant for some of these films and we can see how Sagan’s beliefs shifted over time. It would seem that, as a scientific expert, his voice was censored more and more, much like other ‘science gurus’ such as Bill Nye, Neil DeGrasse Tyson or Michio Kaku.

It is disturbing to hear Bill Nye ‘The Science Guy’ state, “One thing I really want your generation to embrace is that the Earth is a closed system. We cannot leave the Earth.” Buzz Aldrin also made some odd comments when asked by a young girl, “Why has nobody been to the moon in such a long time?” After laughing uncomfortably, Aldrin replied, “That’s not an eight-year-old’s question. That’s my question. I want to know, but I think I know… Cause we didn’t go there and, and that’s the way it happened, and if it didn’t happen, it’s nice to know why it didn’t happen.”

Don Pettit, another NASA Astronaut, stated, “I’d go to the moon in a nanosecond. The problem is we don’t have the technology to do that anymore. We used to but we destroyed that technology and it’s a painful process to build it back again.” NASA tends to claim that we do not have the ability to leave low earth orbit.

Jet Propulsion Laboratories, which would later grow into NASA, was founded by Jack Parsons – a dedicated student of Aleister Crowley and enrolled initiate of the OTO. Parsons and Crowley were also close with Werner Von Braun and even L. Ron Hubbard, the creator of the Church of Scientology. Colonel Michael Aquino, associate of Anton LaVey (founder of the Church of Satan) formed his own, Temple of Set, and implemented his form of Satanism within the military. These were some of the people in charge of the UFO file as well as the mind control network of America. These, the creators of NASA and the Deep State, were all black magicians.These were the men who withheld the patents of Tesla from us. These were the men who destroyed America. The deeper one looks, the more they shall find. Yet to truly understand how all this happened, we must recognize that the Nazis did not lose World War II.

Next Chapter:

XIX. Unmasking the Architect

“We are called to be architects of the future, not its victims.”

– Buckminster Fuller